Herbert Ross

The following year, James Whitmore had a part in the 1982 film I Ought to Be in Pictures which was written by Neil Simon and directed by Herbert Ross.

Francis Lawrence

The late Phillip Seymour Hoffman (Plutarch Heavensbee) is also featured in the pictures along with Jeffrey Wright (Beetee), Woody Harrelson (Haymitch Abernathy), then is director Francis Lawrence with Mahershala Ali (Boggs), and finally the director with screenwriter Peter Craig (far left) and producer Nina Jacobson (middle).

Janusz Kaminski

The director here is Janusz Kaminski, the talented photographer that gave “Schindler’s List” and “Saving Private Ryan” their intense, realistic edge.

Mike van Diem

Photographer turned director Mike van Diem, Academy Award for Best Foreign Language Film-winner

by Neil Simon classic that was ultimately turned into a movie starring Walter Matthau, Ann-Margret and Dinah Manoff

Chicago Review: If you’re not familiar with this play, “I Ought To Be In Pictures” is a by Neil Simon classic that was ultimately turned into a movie starring Walter Matthau, Ann-Margret and Dinah Manoff.

Andy Warhol

The film features appearances by Peter Beard, Lee Radziwill, Edith Ewing Bouvier Beale, Edith Bouvier Beale and Andy Warhol, and includes footage directed by Peter Beard, Jonas Mekas, Andy Warhol and with additional cinematography by Albert Maysles and Vincent Fremont.

Oren Moverman

Directed by Oren Moverman; written by James Ellroy and Mr. Moverman; director of photography, Bobby Bukowski; edited by Jay Rabinowitz; music by Dickon Hinchliffe; production design by David Wasco; costumes by Catherine George; produced by Lawrence Inglee, Clark Peterson, Ben Foster and Ken Kao; released by Millennium Entertainment.

Vincenzo Natali

Directed by Vincenzo Natali; written by Andre Bijelic, Mr. Natali and Graeme Manson; director of photography, Derek Rogers; edited by John Sanders; music by Mark Korven; production designer, Jasna Stefanovic; produced by Mehra Meh and Betty Orr; released by Trimark Pictures.

Lewis Allen

The film was directed by Lewis Allen and photographed by cinematographer Charles Lang (Midnight, A Foreign Affair, The Magnificent Seven, Charade) who was Oscar-nominated for The Uninvited.

Kelvin Trautman

Photographer, Kelvin Trautman is directing the film and although I haven’t met Kelvin Trautman before, we soon hit the film off

Vincent Haycock

The director was Vincent Haycock at Park Pictures.

Jon Turteltaub

Director of photography, Tom Stern ; editors, Steven Kemper, Kelly Matsumoto ; music, Gary Gregson-Williams ; produced by Lorenzo di Bonaventura, Belle Avery, Colin Wilson ; screenplay by Dean Georgaris and Jon Hoeber & Erich Hoeber ; directed by Jon Turteltaub.

Gjon Mili

The movie was directed by still photographer Gjon Mili, edited by Everett Dodd, with lighting and photography directed by Robert Burks (Barney Kessel's first credit in this field), and released by

Alessandro Michele

The film and images were shot by Glen Luchford and creative directed by Alessandro Michele.

Jim Flewitt

The movie has been written and directed by Jim Flewitt, with the photography of Ian McCarroll.

Anton Corbijn

The film has been directed by Dutch photographer, Anton Corbijn, who directed the film about Ian Curtis and the band, Joy Division, Control.

,

The film was photographed by Arthur Ibbetson, whose credits, among others, included the original Willy Wonka and the Chocolate Factory (1971).

John Luessenhop

Director John Luessenhop (Takers, Lockdown) enlisted cinematographer Tas Michos, ASC (Sparkle, Jumping the Broom, Perfect Stranger, Mona Lisa Smile) in the effort.

Hoyte van Hoytema

Of course, the picture itself is one of crystalline beauty, thanks to director of photography Hoyte van Hoytema, and director shows off the scale being utilised here in all director's enormity.

Frank Lloyd

Frank Lloyd directed the film which was written by Julia Crawford Ivers and photographed by Frank Lloyd's son James Van Trees.