romantic drama

Howards End is a 1992 British romantic drama film based upon the novel of the same name by E. M. Forster (published in 1910),a story of class relations in turn-of-the-20th-century England.

a slow-burn, sharply drawn British romantic drama about three Edwardian-era families—the Schlegels, the Wilcoxes, and the Basts—starring Anthony Hopkins, Emma Thompson, Helena Bonham Carter, and Redgrave

A classic of the form, Howards End is a slow-burn, sharply drawn British romantic drama about three Edwardian-era families—the Schlegels, the Wilcoxes, and the Basts—starring Anthony Hopkins, Emma Thompson, Helena Bonham Carter, and Redgrave.

drama

Howards End is a 2017 four-part television drama series based on the novel of the same name by E. M. Forster (published in 1910).

British-American

Howards End is a British-American television miniseries based on the novel of the same name by E. M. Forster.

a masterpiece of period drama

Howards End, the 1992 film adaptation of E.M. Forster's novel, is a masterpiece of period drama.

an early 1900s period drama heavily featuring Emma Thompson, Anthony Hopkins and Helena Bonham Carter

Howards end is an early 1900s period drama heavily featuring Emma Thompson, Anthony Hopkins and Helena Bonham Carter.

a delightful classic about two single women who are into the arts, intellectual pursuits, and travel

Howard's End is a delightful classic about two single women who are into the arts, intellectual pursuits, and travel.

a must-see for fans of period dramas and classic literature adaptations

Overall, Howards End is a must-see for fans of period dramas and classic literature adaptations.

a classic dramatization of the differences in life amongst the English middle class

Howards End,' one of Forster's greatest works, is a classic dramatization of the differences in life amongst the English middle class.

class struggle

Howards End is a novel by E. M. Forster (first published in 1910), which tells a story of class struggle in turn-of-the-century England.

an autobiographical tour

Howards End is on the landing: A year of reading from home’, is an autobiographical tour through Susan Hill’s personal library – a memoir hung on books, using Susan Hill's discovery and rediscovery of Susan Hill's collection to tell of the stories and memories they evoked.

three families of different social classes

Howards End was first published in 1910 and tells the story of three families of different social classes - the English/German Schlegel siblings Margaret, Helen and Tibby whose lives revolve around art and literature, the Wilcoxes, rich capitalists with a fortune made in the colonies and the struggling lower class Basts.

about three families representing three different classes – the intelligentsia, the business class and the working class – and the terribly complicated mess of a love-triangle they get themselves into

Howards End is about three families representing three different classes – the intelligentsia, the business class and the working class – and the terribly complicated mess of a love-triangle they get themselves into.

to the genre of psychological realism

Howards End also belongs to the genre of psychological realism.

a symbolic exploration

English Literature E. M. Forsters publication Howards End is a symbolic exploration of the philosophical, public and economic causes that been around in England during the early on twentieth Century.

a sweeping, yet incisive social tapestry that unites three families in a sumptuous, humorous, generous roasting of human aspiration and frailty

Howards End is a sweeping, yet incisive social tapestry that unites three families in a sumptuous, humorous, generous roasting of human aspiration and frailty.

about the artistic temperament

Howards End is about the artistic temperament, and how the artistic temperament fits into a society of practical but unimaginative men.

a densely-packed novel on film

True to the source book by E.M. Forster, Howards End is a densely-packed novel on film, consistently driven by detailed character dynamics, which, in turn, are rooted in a very British social hierarchy and the tangled garden of emotional responses that grow from emotional responses .

of-age narratives in which tragic storylines pivot on the actions of young, middle-class women who insert themselves into the lives of other people

Howards End (2017, screenwriter Lonergan, director Hettie McDonald) and the film Margaret (2011, director and screenwriter Lonergan) are coming-of-age narratives in which tragic storylines pivot on the actions of young, middle-class women who insert themselves into the lives of other people.

a superbly crafted story of social class tensions between three families in turn-of-the-century England

Howards End tells a superbly crafted story of social class tensions between three families in turn-of-the-century England.