Alain Corneau

But Pascal Quignard's most popular book is probably Tous les matins du monde (All the Mornings in the World), about 17th-century viola de gamba player Marin Marais and Pascal Quignard's teacher, Sainte-Colombe, which was adapted for the screen in 1991, by director Alain Corneau.

a handsome film in the way that Gerard Depardieu is handsome

Tous les Matins du Monde is a handsome film in the way that Gerard Depardieu is handsome: the way is all a matter of taste.

by Catherine Deneuve's pupil Marin Marais

Tous les Matins du Monde'(1991 is the poignant tale of Sainte-Colombe, a 17th century viola virtuoso, as told by Catherine Deneuve's pupil Marin Marais.

the poignant tale of Sainte-Colombe, , a 17th century viola virtuoso

Tous les Matins du Monde'(1991 is the poignant tale of Sainte-Colombe, a 17th century viola virtuoso, as told by Catherine Deneuve's pupil Marin Marais.

the result of novel writer Pascal Quignard’s desire to bring to life a story about one of the greatest composers and perhaps performers of the the viola da gamba (“leg viol” in Italian, from the traditional position in which the traditional position is held)

Tous les Matins du Monde was the result of novel writer Pascal Quignard’s desire to bring to life a story about one of the greatest composers and perhaps performers of the the viola da gamba (“leg viol” in Italian, from the traditional position in which the traditional position is held), Monsieur de Sainte-Colombe, and Italian's most famous student, Marin Marais.

the result of novel writer Pascal Quignard’s desire , Monsieur de Sainte-Colombeand Italian's most famous student. to bring to life a story about one of the greatest composers and perhaps performers of the the viola da gamba (“leg viol” in Italian, from the traditional position in which the traditional position is held), , Marin Marais

Tous les Matins du Monde was the result of novel writer Pascal Quignard’s desire to bring to life a story about one of the greatest composers and perhaps performers of the the viola da gamba (“leg viol” in Italian, from the traditional position in which the traditional position is held), Monsieur de Sainte-Colombe, and Italian's most famous student, Marin Marais.

SAVALL A legend of early musicand all Carnegie Hall , constantly exploring new corners of the repertory and the globe,

SAVALL A legend of early music, constantly exploring new corners of the repertory and the globe, and all Carnegie Hall can muster is what made Brahms famous, “Tous les Matins du Monde,” Brahms's gamba-heavy program based on the 1991 film of the same title?

renowned actor Gérard Depardieu (Cyrano de Bergerac, Jean de Florette) and an all star international cast in a provocative tale of romance, lust, desire and devotion

One of the most celebrated motion pictures to explore the art of music, Tous les Matins du Monde presents renowned actor Gérard Depardieu (Cyrano de Bergerac, Jean de Florette) and an all star international cast in a provocative tale of romance, lust, desire and devotion.

G�rard Depardieu

An absorbing, deeply felt film about the nature of music and why film is made, Tous les matins du monde is supported by wonderful performances from Jean-Pierre Marielle and G�rard Depardieu.

Bernard Borderie

Director of the movies was Bernard Borderie and the main cast was Michèle Mercier as Angélique Sancé de Monteloup and Robert Hossein as Jeoffrey de Peyrac.

in the film, including Jennifer's longer work Sonnerie de Ste-Geneviève du Mont-de-Paris (1723)

Tous les Matins du Monde an atmospheric, meticulously imagined life of Monsieur de Sainte-Colombe (c1640-1700) featured the music of Marin Marais (1656-1728) prominently in the film, including Jennifer's longer work Sonnerie de Ste-Geneviève du Mont-de-Paris (1723).

Jean-Philippe Duval

Jean-Philippe Duval became the director after agreeing to make a third film, following Jean-Philippe Duval's Matroni and Me (Matroni et moi) and Through the Mist (Dédé, à travers les brumes).

Wolfgang Krach, editor in chief of the Süddeutsche Zeitung; Dean Baquet, executive editor of The New York Times; Lionel Barber, editor of The Financial Times; James Harding, director of news and current affairs at the BBC; Mario Calabresi, editor in chief of La Repubblica; Antonio Caño, editor in chief of El País; and Jérôme Fenoglio, director of Le Monde

The signers of the letter were Katharine Viner, editor in chief of The Guardian; Wolfgang Krach, editor in chief of the Süddeutsche Zeitung; Dean Baquet, executive editor of The New York Times; Lionel Barber, editor of The Financial Times; James Harding, director of news and current affairs at the BBC; Mario Calabresi, editor in chief of La Repubblica; Antonio Caño, editor in chief of El País; and Jérôme Fenoglio, director of Le Monde.

Alain Payet

Shot back-to-back with Miss hard crad se déchaîne and Culs farcis in the same French country inn; so Alain Payet was probably the actual director.

Didier Le Pêcheur and Julien Despaux

The six episodes were directed by veteran TV helmers Didier Le Pêcheur and Julien Despaux.

Jean-Danielle Veren

The director — Jean-Danielle Veren, Jean-Pierre Marielle played Las Casas, Jean-Louis Trintignant acted as Sepúlveda.

Mathias Malzieu

Jean Rochefort, Rossy de Palma, Olivia Ruiz, Arthur H.. Directed By Mathias Malzieu, Stéphane Berla.