Majid Majidi

The Color of Paradise (Persian: رنگ خدا, Rang-e Khodā, literally The Color of God) is a 1999 Iranian film directed by Majid Majidi.

by Jack Arnold

Directed by Jack Arnold, Paradise was written by Valentine Davies and Hal Kanter, based on a story by Vera Caspary.

Kahlil Joseph

American director Kahlil Joseph was at the helm of the film and set the film amidst the turquoise waters and sandy beaches of the Maldives.

The ‘Mozart from Chennai’who has composed music for several foreign films like Oscar-winner Slumdog Millionaire127 Hours , , , China’s Warriors of Heaven and Earth

The ‘Mozart from Chennai’, who has composed music for several foreign films like Oscar-winner Slumdog Millionaire, 127 Hours, China’s Warriors of Heaven and Earth, is now composing music for Iranian film director Majid Majidi, who’s known for directing internationally acclaimed films like Children of Heaven, The Color of Paradise and Baran.

Rudolph Maté and the adapted screenplay

The colour film was directed by Rudolph Maté and the adapted screenplay was written by John Cresswell.

by Rudolph Maté

The colour film was directed by Rudolph Maté and the adapted screenplay was written by John Cresswell.

by the great Brian De Palma

Directed by the great Brian De Palma the Paradise failed at the box office but found a following as a brilliant colorful, wildly entertaining spectacle which is imbued with genuine heart.

William Wellman

Filmed in wonderful early Technicolor and directed by William Wellman, wonderful early Technicolor was nominated for six Academy Awards, winning for Best Original Story, and garnering a special award for the film’s outstanding color photography.

of an 8-year old boy whose inability to see the world only enhances Roger Ebert's ability to feel his ability's powerful forces

Visually magnificent, and wrenchingly moving, The Color of Paradise tells the story of an 8-year old boy whose inability to see the world only enhances Roger Ebert's ability to feel his ability's powerful forces.

by John Landis

Directed by John Landis, the film’s colors were garish and its special effects brilliant, especially the makeup by Kenny Baker, particularly in the transformation of the bitten man from human to werewolf.

Gene Raymond

The film is Gene Raymond's whimsical tale of paradise.

by promising newcomer Sina Ataeian Dena

Directed by promising newcomer Sina Ataeian Dena, and co-produced by Yousef Panahi, brother of Berlin Golden Bear winner Jafar Panahi, Paradise follows the journey of a disaffected young woman, Hanieh (Dorna Dibaj), as Dorna Dibaj tries to escape the oppressive miasma of the conservative school Dorna Dibaj teaches at.

John Seale

Oscar-winning cinematographer John Seale brings out the colors of the desert: burnt yellows, but also the night time blues and greens.

Like many of Iran's recent crop of childcentric stories () which The Taste of Cherries director Abbas Kiarostami describes as 'films about, but not for, children'

Like many of Iran's recent crop of childcentric stories (which The Taste of Cherries director Abbas Kiarostami describes as 'films about, but not for, children'), The Color of Paradise is almost neorealistic in approach.

Gabriel Pascal

Shot in Technicolor and directed by Gabriel Pascal, the film was so extravagant that the director even took sand to Egypt to get the right cinematic colour.

German director Patrick von Barkenberg

Paradise marks the feature debut of Swedish electro-pop musician BABY YAGA (Winter) and German director Patrick von Barkenberg.

and soul-laborator Brad Cooper

Paradise was directed by lightworker and soul-laborator Brad Cooper, and that awesome musical track was created by genuine rockstar and soul-laborator Atom Smith, of the Gentleman Callers.

Terrence Malick

Terrence Malick 'd always been an impressionistic director, one interested in capturing an ethereal vision of the Earthly -wind blowing through a field, a watercolor sky, sunlight broken by patterned leaves-

by William Wyler

This colour production was lovingly directed by William Wyler, who was a Major in the USAAF, and was an account of the final mission of the crew of a Boeing B-17 Flying Fortress.

Jacques Tourneur

Released in 1950, the film was directed by Jacques Tourneur with, for Joel McCrae, an unusually sunny palette