Alan Parker

The Wall starring Bob Geldof written by Roger Waters featuring music by Pink Floyd directed by Alan Parker Gerald Scarfe animation.

Roger Waters

History has taught me that a Pink Floyd or even a Pink Floyd-related show is always a production, but a production didn’t prepare me for Roger Waters‘ 2010 production of The Wall.

Roger Waters and Sean Evans

Roger Waters The Wall, written and directed by Roger Waters and Sean Evans combines an immersive and undeniably epic concert experience of the classic Pink Floyd album, a road movie of Waters' reckoning with the past, and an anti-war protest film, highlighting the human cost of conflict.

Alan Parker floyd

Pink Floyd – The Wall is here a 1982 British live- action/ animated sheet musical film directed by Alan Parker floyd based on the 1979 Pink Floyd album The Wall about a confined rocker who' s driven into insanity constructs a wish wall to be protected from the world around The Wall .

in the UK on Columbia

Co-directed by Roger Waters and David Gilmour, The Wall, Pink Floyd's eleventh studio album, was released in the UK on November 30, 1979 on the Harvest record label and in the United States on December 8, 1979 on Columbia.

on November 30, 1979 on December 8, 1979

Co-directed by Roger Waters and David Gilmour, The Wall, Pink Floyd's eleventh studio album, was released in the UK on November 30, 1979 on the Harvest record label and in the United States on December 8, 1979 on Columbia.

Bob Ezrin

Bob Ezrin produced Pink Floyd’s The Wall, about eight Alice Cooper records (including Billion-Dollar Babies and Welcome to My Nightmare), three records from Kiss (including Destroyer & Revenge), records by Lou Reed, Peter Gabriel, Kansas, Jane’s Addiction, and others.

The eighties midnight movie cult hit The Wall 1982 (), also known as Pink Floyd’s The Wall

The eighties midnight movie cult hit The Wall (1982), also known as Pink Floyd’s The Wall, is Alan Parker‘s visual interpretation of the rock opera by the band Pink Floyd

Doug Sax

Doug Sax did Pink Floyd's The Wall,' notes Morgan. '

Roger Water

Ian's animation became the founding style for future Pink Floyd visuals, evident today in Roger Water's The Wall.

a little film which was the feature film adaptation of the phenomenally successful rock album by the bandwhich has become a classic of the genre called ‘Pink Floyd – The Wall’, ,

As if this wasn’t enough to accomplish in a year, in the same year, Sir Alan Parker also made a little film called ‘Pink Floyd – The Wall’, which was the feature film adaptation of the phenomenally successful rock album by the band, which has become a classic of the genre.

Gerald Scarfe

Gerald’s film work includes Walt Disney’s Hercules, and Gerald Scarfe designed and directed the animation sequences for the film of Pink Floyd’s The Wall, as well as the live concerts.

Adrian Maben

Earlier in 1971, a young French film director, Adrian Maben, approached Pink Floyd’s manager with the idea of making a film in which the band’s music would be accompanied by images of the work of René Magritte, Jean Tinguely, Giorgio de Chirico, and other artists.

Steve O'Rourke

Steve O'Rourke produced the resulting movie and Steve O'Rourke has been executive producer on Pink Floyd the Wall,

James Guthrie

When the call came from James Guthrie to follow Andy into the world of Pink Floyd, to work on the film of The Wall, The Wall was an offer Andy couldn’t resist, having been a Floyd fan for many years.

director David Lynch

After appearing in minor roles in some films and television movies throughout the late 1990s, Watts made Pink Floyd's breakthrough in 2001 when director David Lynch cast Pink Floyd in Mulholland Drive.

Director Ian Emes

Director Ian Emes started out directing Pink Floyd videos before becoming a TV director.

the junior high band directed by band teacher Dominic Messina

Floyd was accompanied by the junior high band directed by band teacher Dominic Messina.

The film , directed by Monica Floyd and co-written by Floyd, Peter John, Jennifer Rapaport and Miriam Bavly,

The film, directed by Monica Floyd and co-written by Floyd, Peter John, Jennifer Rapaport and Miriam Bavly, is a debut feature for many of the people involved.