Sam Firstenberg

Breakin' 2: Electric Boogaloo is an American 1984 film directed by Sam Firstenberg.

by Menahem Golan

Both Breakin’ films were produced by Menahem Golan and Yoram Globus, aka Cannon Films, the team behind such wonderfully campy and gratuitous ‘80s fare like The Apple (1980), New Year’s Evil (1980), The Last American Virgin (1982), Masters of the Universe (1987), and the Stallone-starring one-two-punch of Cobra (1986) and Over the Top (1987).

and Yoram Globus, aka Cannon Films, the team behind such wonderfully campy and gratuitous ‘80s fare like The Apple (1980), New Year’s Evil (1980), The Last American Virgin (1982), Masters of the Universe (1987)

Both Breakin’ films were produced by Menahem Golan and Yoram Globus, aka Cannon Films, the team behind such wonderfully campy and gratuitous ‘80s fare like The Apple (1980), New Year’s Evil (1980), The Last American Virgin (1982), Masters of the Universe (1987), and the Stallone-starring one-two-punch of Cobra (1986) and Over the Top (1987).

by Dawn Westlake

The breakdance film conceived and directed by Dawn Westlake, starring Marc Carrizo Vilarroig of Brodas Bros, and with an original score by Joan Armand Forero of Praxiz, was shot and edited in Barcelona by Pol Carrizo Vilarroig of Imatge Barcelona.

Alfredo Garcia

Breakin' Breakin' 2: Electric Boogaloo Bride of the Monster Bring Me the Head of Alfredo Garcia

by Mark Hartley

Directed by Mark Hartley and produced by Veronica Fury and Brett Ratner, Electric Boogaloo tells the story of two movie loving Israeli immigrants Menahem Golan and Yoram Globus who changed Hollywood with their Go-Go approach to movie making, with a focus on product and hype versus story and taste.

M. Night Shyamalan

Filmmaker M. Night Shyamalan‘s $20 million sequel to UNBREAKABLE and SPLIT

Jon M. Chu

Director Jon M. Chu – whose credits include Step Up 3D and Justin Bieber

Pierre Coffin and Kyle Balda

The film is directed by Pierre Coffin and Kyle Balda, and co-directed by Eric Guillon.

John Behring

John Behring directed the episode written by Marc Guggenheim & Keto Shimizu (#402).