fiction

The movie is fiction, "based of truth" is enough to bring home the point that we need a new investigation.

comedy-drama

The Unbelievable Truth is a 1989 comedy-drama film written and directed by Hal Hartley and starring Adrienne Shelly and Robert Burke.

comedy

The Unbelievable Truth is a BBC radio comedy panel game made by Random Entertainment, devised by Graeme Garden and Jon Naismith.

fact and fiction

The genre is based on a mix of fact and fiction, where the author's own interpretation is part of the genre's conventions.

science fiction or fantasy

The story you are about to hear is true, despite The story's unbelievability and closeness to science fiction or fantasy.

fiction and nonfiction

The two genres that come to mind is fiction and nonfiction.

non-fiction

Truth isn’t only found in works classified as non-fiction.

crime thriller

The book is an unbelievable true story written like a crime thriller.

whether in fiction or nonfiction

whether in fiction or nonfiction � are trying to get at the sound of the truth.

as a western

The Unbelievable Truth is a romantic melodrama set up as a western.

a collection of fact and fiction

The genre is a collection of fact and fiction.

historical non-fiction

If you love historical non-fiction that’s too bizarre to be true

stories told by an unreliable narrator

The book belongs to the genre of stories told by an unreliable narrator.

lo-fi thriller

In truth, truth’s a-bit of a lo-fi thriller.

in science fiction

To a degree, that's true in science fiction, too.

thriller

The story unfolds like an implausible thriller — testament to the maxim that truth is stranger than fiction.

surreal art

The book’s play on fact and fiction is the ultimate work of surreal art forcing readers to be coming to their own conclusions on what is true and what is false.

fantastical horror story

Although an unbelievable tale reads more like a fantastical horror story.

contemporary cinema

Insofar as it tends towards a studied negation (or counter-actualization) of our numb existence, endlessly dramatizing the existential narrative of escape, contemporary cinema conveys an intense and disturbing truth about modern reality.

the program's status as a simulacrum that deploys reality effects for reality effects's own mercenary ends (not to mention the status of Ilene's screenwriting skills)

The reality genre retroactively confirms the program's status as a simulacrum that deploys reality effects for reality effects's own mercenary ends (not to mention the status of Ilene's screenwriting skills).